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Carpe Noctem

by Lindsay Clark

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1.
Evening Star 05:10
Home in the rivers light canyon walls to hold me buckeyes and poppies needle grass and baby stars I’ve been running from myself like the wind I am chasing me trying to find a love that’s gonna stay with me I’m chasing my own shadow Red bud and lupine flower Bruised purple like the sky changes over an evening star Oh oh, oh oh oh I am changing more and more I am changing more and more Hold me to the rivers light wash me clear so I can see myself right there’s no such as darkness, you know I’m a brand new morning, begun I am changing more and more I am changing more and more The sky is changing, over an evening star Struck pennies on the water or were they earthen copper stones flung to make my wishes come back to me a glint of light reflected on the tree line Oh oh, oh oh oh Ooh, ooh ooh ooh I am changing more and more The sky changes over an evening star
2.
Diamonds 04:14
If I could love you would it mean the same to you as me You paint a pretty picture with the words you say you bring me everything - diamonds and their shadows make me think of leaving other things behind Sometimes the light is so bright I don’t know how to see clearly If I could leave you would it mean the same to you as me But something keeps on pulling me like rainbows fall to shelter on the earth - colors that are spinning me down into a circle I have found Sometimes the light is so bright I don’t know how to see clearly Sometimes the light is so bright I don’t know how to see clearly I know I have to let it go even though I’ve seen you there The things you must have seen, the pain you carry you Cannot bury in me - it will stay until you wake up It will drip down all the colors like rain … You say it should be easy to remain with me as long as I’m with - oohs The tenderness of being, the yellow branches as they bloom Sometimes the light is so bright I don’t know how to see clearly Sometimes the light is so bright I don’t know how to see clearly I was seeing double I was seeing it for all I wanted to
3.
Let yourself be loved, in a better way How I’m pulled toward darker things The chance that things will get better Pink camellias in the grass How they bloom, against the clouds in the afternoon Why can’t they leave my mind alone? You know peace should be mine, alone Oh love should leave a clearer tone Apples that are cold and clear I bite in, face my fear Sweet flesh red skin The chance that you’ll turn it all around We’re like a wheel going down Helicopter seeds spinning around You know peace should be mine, alone and love should leave a clearer tone Oh why am I free for any use and why you want to take me from being free — I’m caught behind a glass and I can’t speak Let yourself be loved, in a better way How I’m pulled toward darker things The chance that things will get better in the grass dew pools like a pearl sky is crying trying to find a higher grace So love can leave a clearer way You know peace should be mine, alone Oh love should leave a clearer tone let yourself be loved in a better way how i’m pulled toward darker things The chance that things will get better the chance that things will get better Oh, love should leave a clearer way
4.
Stars in my eyes I can see them in the night Blue behind the tall waving grass I want roses in the sky above And lemons on the lemon tree White, bloom for me The tides roll in and out Laughter gathers me like heaven in the yard I just want roses in the sky above And lemons from the lemon tree White, bloom for me Your lover just down the hill She’ll be home soon - Walking up the hill with the olive trees Light dapples down onto the tea leaves Why now, why still? I just want Roses in the sky above And lemons from the lemon tree White, bloom for me Looking for the pieces to a holy dream something sacred or barely touched Just once… give it to me now Why in my deep, drifting mind - why can’t I just close my eyes to the things I dream to the things I see to the things I am I want roses in the sky above And lemons on the lemon tree White, bloom for me
5.
If Colors 03:55
If colors could be different If your words could be more true If I had the power to shape it all If our lives could line up better than before Light and shadow, rolling onto the shore Where I dreamt of things I had never things I’m afraid to hope for I had never been one to run instead I’m frozen, I want to run and I want to stay I want to give you the light I want to hold you until it’s right things I had never things I’m afraid to hope for If colors could be different If your words could be more true If I had the power to shape it all I want to see you through I want to be held up in light
6.
In the morning in the morning I know it means more to me than it does to you, and what it does to me Yellow bright as diamonds In the sunlight outside the door Burning blazing beauty on the sky I know it means more to me than it does to you, and what it does to me In the morning in the morning Holy melodies bathing me in light Where I want to be is with you and a running stream like two holy beings I know it means more to me than it does to you, and what it does to me In the morning In the morning I follow the signs some vision of mine How it leaves me blind Stranded and alone in time One gentle touch Isn’t that enough I am bound to you like a melody to a song and when I sing I’m free And I lend it to you so you can feel to In the morning in the morning I know it means more to me than it does to you, and what it does to me
7.
There is nothing I can give that I don’t already have there is nothing I can sing that I haven’t already sung When the buttercups shine like gold beneath the chaparral oaks bathed in sun like a newborn child gold falling off my skin.. Call my name and I won’t come, it’s too late now Never thought I’d see the day When I could walk free Give me green or give me Bleak winter, everything turned blue and gray All my words like frail edges, they slip right from my throat down to the earth… Call my name and I won’t come, it’s too late now Never thought I’d see the day When I could walk free There is nothing I can give that I don’t already have there is nothing I can say that I haven’t already known there is nothing I can love that has not loved me so A ring of German silver found in the white market in fall slipped so easy like a ship out to sea onto one finger Call my name and I won’t come, it’s too late now Never thought I’d see the day When I could walk free There is nothing I can love that I haven’t already loved there is nothing I can love that has not loved me so
8.
Indigo Dye 04:14
Biding my time now When I watch through the window where you’ve gone Ironing your clothes with her How do you live that way Fresh pressed white sheets Hung to dry on the line How do you live Indigo dye, sun shining through the blue and I left the room, when I left you Nobody knows the truth that’s what ties me to you I long to feel a little more I long for you to feel remorse How do you live Indigo dye, Sun shining through the blue And I left the room, when I left you Everything fades away, like lace on a hem all those sayings etched in my blood my eyes have seen the stones thrown like a dance and I am catching them Like rainbows, like loaves thrown to me Like diamonds and gold at my feet Indigo dye, Sun shining through the blue And I left the room, when I left you Oh I left the room When I left you
9.
If you knew how I sleep in your house turning with the morning Bells sound like some bird calling loud as a wave that carries me Down the hill I can see for miles Things I’ve seen before Shadows + light, cast over buildings and vines, mmm Moonflowers, moonflowers and telephone lines If you knew - what the light does How day can take away Visions I’ve seen carried on by When you come back, no illusions Cast against the white broken sky blanched from summer on black dusty hill Moonflowers, moonflowers and telephone lines Magnolias and avocado trees flowing down toward the city lights and your shadow coming up that hill Tropical birds - or that’s how they sound to me some piercing kind of beauty some other life that I could live with you or just a sign of the strife I’ve felt all this time How day can take away some things never meet then never to break away Moonflowers, moonflowers and telephone lines Magnolias and avocado trees flowing down toward the city lights your shadow coming up that hill
10.
I Lay 03:51
I lay there in white You could have been kind but were cruel, the limit of you You cannot throw water on a stone You cannot draw color from someone Blind, blind, blind I lay there in white It could have been easy but I was a fool and I couldn’t see You cannot pull color from a stone You cannot draw water from somewhere Dry, dry, dry I learned that I was nothing but time that I could wait, Our love like Indian Paintbrush, red from the sun and the rain so sweet That was you on better days, your loving ways Cruel words hinge on the sweet a line that’s pulling on me, stretching time you made me bare and free as a thorn catching Sky, sky, sky I lay there in white Trying to forget, trying to forgive You cannot draw water from a stone you cannot pull color from someone blind, blind, blind
11.
Waves 03:38
Like a shadow you move, like waves that are always blue, and time held me close in my place I could carry on like that the clouds are falling like mirrors they meet the water and it meets my eyes again A sharp tongue and no will to care Can hardly last past the morning You were an island white and the horizon would fade- the mast a flag put down over me - and I was giving Like a shadow you move, like waves that are always blue, and time held me close in my place Underneath the cherry blossoms pink is flooding me above a baby’s tongue or the sun setting over a cloud Painted by children and washed away The lies you told could stretch on for miles Like trumpet vines and cockle shells and White terns falling Like a shadow you move, like waves that are always blue, and time held me close in my place Your whispers behind the veil No prayers from the wings that fall Like snow - And if you hear me cry at night it’s just that I have seen light

about

Thank you to Jeremy Harris for your support and friendship, seeing my vision and writing the perfect arrangements. Abby, Alela, Amy, Casey, Dao, Emily, Greta, Hanna, Har Anand, Laura, Leah and Robin for your friendship, 500 Sumner household (in all its iteration), Zach for playing cello with me on the early versions, Sean Ogilvie for recording the early demos, Johanna for singing with me, Erik, for being a source of love and positivity for myself and my music, Michael Hurley, for your unique friendship, lots of folks in Astoria, Oregon, The Sou’wester Lodge, Can Serrat and my favorite Spanish town, all the artists that I’ve met in residency over the past three years who felt like such kindred spirits. Matthias, Oscarson, Tim and Theo for support and kindness. Daniel for trading songs with me through the long months. Shawn, for taking care of me and showing me a new side to love. My Portland circle of friends and musicians who continue to inspire me, who are too many to name here — if you think you might be one of them, you are. :) Steven, Blue and School of Song. Healing plants, places, and whatever universal force keeps me going and making art. Meredith, Hannah, Crystal & Ted for the visual creations. My sweet cat Aster Moon. I love you all.

credits

released June 24, 2022

Carpe Noctem was recorded at Panoramic House (Stinson Beach, CA), and also Color Therapy (Portland, OR), Bocce Studios (Vancouver, WA), in a dear friends backyard studio and somewhere in Tennessee by Jeremy Harris (engineer, mixing with Euan Hinshelwood, string / wind arrangements on 2, 3, 8, co-arrange 11), Ryan Oxford (additional engineer) and Brandon Eggleston (additional engineer). I am deeply grateful for everyone who played on this album including Alexis Mahler (violin, viola, cello on 2, 3,8), William Tyler (electric guitars on 1, 5, 9, second acoustic guitar on 4), Meike Bruggeman (flute, Aalto flute, clarinet on 3, 11), Andy Rayborn (bass clarinet, clarinet on 3, 11, co-arrange 11), Sage Fisher (harp on 5, 6) and Alela Diane (additional vocal harmony on 8). Mastered by Amy Dragon at Telegraph. Layout/design by Greta Merrick. Photography by Myles Katherine, back cover by Montse Andrée. Lindsay Elizabeth Clark (production, arrange/co-arrange, guitar, piano, vocals and constant tea making)

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Lindsay Clark Portland, Oregon

Lindsay Clark is a multi-instrumentalist, lover of nature, magic, myth and sound - she grew up in the Sierra Nevadas and now calls the Pacific Northwest home.

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